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A diplomatic dispute over an alleged Chinese surveillance balloon seen over Montana echoes a similar Cold War event, writes Richard Aldous, Eugene Meyer Professor of British History and Culture at Bard College, for the Washington Post. In the U-2 crisis of 1960, an American spy plane was shot down over the Soviet Union, reversing years of progress in relations between President Dwight D. Eisenhower and Soviet leader Nikita Khrushchev. “Lessons from that crisis tell us two things,” writes Aldous. “That unexpected events can destroy years of diplomatic effort; and that the Chinese are likely now scrambling in a panic to get their story straight.” In a statement analogous to China’s current response, NASA had claimed that the plane was used for weather research and gone off course, which Eisenhower was obliged to renounce when he later took responsibility for the spy planes used for information gathering. “The concern about the historical parallel with 1960,” Aldous continues, “Is that the U-2 crisis marked the beginning of one of the most dangerous periods of the Cold War.”

Bard College Assistant Professor of Dance Souleymane Badolo and MFA alum in Music/Sound and American and Indigenous Studies Program faculty member Kite (aka Suzanne Kite MFA ’18) have won 2023 Creative Capital “Wild Futures: Art, Culture, Impact” Awards, which will fund the creation of experimental, risk-taking projects that push boundaries formally and thematically, venturing into wild, out-there, never-before-seen concepts, and future universes real or imagined. 
 
Creative Capital awarded 50 groundbreaking projects—comprising 66 individual artists—focused on Technology, Performing Arts, and Literature, as well as Multidisciplinary and Socially Engaged forms. Souleymane Badolo (with Jacob Bamogo) won an award in Dance. Kite won an award in Technology. Awardees will receive varying amounts up to $50,000 in direct funding to help finance their projects and build thriving artistic careers. The award provides a range of grant services from industry connections and financial planning to peer mentorship and community-building opportunities. Grant funding is unrestricted and may be used for any purpose to advance the project, including, but not limited to, studio space, housing, groceries, staffing, childcare, equipment, computers, and travel. The combined value of the 2023 Creative Capital Awards totals more than $2.5 million in artist support. 
 
“The 2023 Creative Capital cohort reaffirms the unpredictable and radical range of ideas alive in the arts today—from artists working in Burkina Faso to Cambodia and across the United States. We continue to see our democratic, open-call grantmaking process catalyze visionary projects that will influence our communities, our culture, and our environment,” said Christine Kuan, Creative Capital President Executive Director. 
 
The Creative Capital grant is administered through a national open call, a democratic process involving external review of thousands of applications by international industry experts, arts administrators, curators, scholars, and artists. The 2023 grantee cohort comprises 75% BIPOC artists, representing Asian, Black or African American, Latinx, Native American or Alaskan Native, Native Hawaiian or Pacific Islander, and Middle Eastern-identified artists; 10% of artists identify as having a disability; and 59% of artists identify as women, gender nonconforming, or nonbinary. The cohort includes emerging, mid-career, and established artists between the ages of 25 and 69. The artists are affiliated with all regions of the United States and its territories, as well as artists based in Cambodia, Burkina Faso, Germany, and Japan. 
 
Kite also won a 2023 United States Artists Fellowship in Media. The award honors her creative accomplishments and supports her ongoing artistic and professional development. Kite is one of 45 USA Fellows across 10 creative disciplines who will receive unrestricted $50,000 cash awards. USA Fellowships are awarded to artists at all stages of their careers and from all areas of the country through a rigorous nomination and panel selection process. Fellowships are awarded in the following disciplines: Architecture & Design, Craft, Dance, Film, Media, Music, Theater & Performance, Traditional Arts, Visual Art, and Writing. Learn more about USA Fellowships here.
 
Souleymane ‘Solo’ Badolo is a Brooklyn-based dancer, choreographer, and founder of the Burkina Faso–based troupe Kongo Ba Téria, which fuses traditional African dance with Western contemporary dance. A native of Ouagadougou, Burkina Faso, Badolo began his professional career with the African dance company DAMA. He has also performed with Salia nï Seydou and the National Ballet of Burkina Faso, and worked with French choreographers Elsa Wolliaston and Mathilde Monnier. Badolo and Kongo Ba Téria are featured in the documentary Movement (R)evolution Africa. He appeared in the 2015 BAM Next Wave Festival; has created solo projects for Danspace, New York Live Arts, Dance New Amsterdam, Harlem Stage, the 92nd Street Y, and New York’s River to River Festival; and was commissioned to create a dance for Philadanco as part of James Brown: Get on the Good Foot, which was produced by the Apollo Theater and toured nationally and internationally. He was nominated for a Bessie Award in 2011 as outstanding emerging choreographer, received the Juried Bessie Award in 2012, and a 2016 Bessie for Outstanding Production for his piece Yimbégré, which “gloriously communicated the clash and reconciliation of the different traditions held within one’s life, one’s body.” The Suitcase Fund of New York Live Arts has supported Badolo’s ongoing research in Africa. He graduated with an MFA from Bennington in June 2013. He has been on the Bard College faculty since 2017 and previously taught at the New School, Denison University, and Bennington College. 
 
Kite aka Suzanne Kite is an Oglála Lakȟóta performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition, an MFA from Bard College’s Milton Avery Graduate School, and is a PhD candidate at Concordia University for the forthcoming dissertation, sound and video work, and interactive installation Hél čhaŋkú kiŋ ȟpáye (There lies the road). Kite’s scholarship and practice explores contemporary Lakota ontology through research-creation, computational media, and performance. Kite often works in collaboration, especially with family and community members. Her art practice includes developing Machine Learning and compositional systems for body interface movement performances, interactive and static sculpture, immersive video and sound installations, poetry and experimental lectures, experimental video, as well as co-running the experimental electronic imprint, Unheard Records. Her work has been featured in various publications, including the American Indian Culture and Research Journal, the Journal of Design and Science (MIT Press), with the award-winning article, “Making Kin with Machines”, and the sculpture Ínyan Iyé (Telling Rock) (2019) was featured on the cover of Canadian Art.

The American Economic Association’s Committee on the Status of LGBTQ+ Individuals in the Economics Profession (CSQIEP) has awarded Associate Professor of Economics Michael Martell their annual Award for Outstanding Research Paper in LGBTQ+ Economics. “Gender typicality and sexual minority labour market differentials,” Martell’s winning paper, coauthored with Ian Burn of the University of Liverpool, was published in December 2022 in BJIR.

Bard College alumnus Liam Gomez ’22 is among the first Peace Corps volunteers to return to overseas service since the agency’s unprecedented global evacuation in March 2020. The Peace Corps suspended global operations and evacuated nearly 7,000 volunteers from more than 60 countries at the onset of the COVID-19 pandemic.

Gomez, from Red Hook, New York, graduated in 2022 with a bachelor’s degree in psychology. He will serve as an education volunteer in the nation of Georgia. He first became interested in the Peace Corps while he was studying abroad in Russia on a Bard language intensive program. He enjoys both speaking and writing in the Russian language, a language he acquired at Bard.

“The Peace Corps was always an option thrown around to employ my language skills post-graduation. I also always love a change of scenery and the challenges that will come from this experience, although daunting, excite me more than anything else,” said Gomez. “I see the Peace Corps as a perfect opportunity for both personal growth and helping others.”

In a recently published article about Gomez, the Red Hook Daily Catch writes "he formally applied to the corps in July 2021 at the height of the pandemic, specifically asking to be sent to Ukraine or Georgia, with the hope of improving his Russian language skills. Georgia attracted him for other reasons, too, notably the food and family culture. Known for khachapuri, a flat cake with cheese, meat, or steamed fish, Georgian cuisine is also famous for various sweet pastries. ‘Their country sounded very alluring,’ Gomez said. ‘The food, how closely and tightly knit the families are, Georgian cheese, it all sounded great.’"

The Peace Corps volunteer cohorts are made up of both first-time volunteers and volunteers who were evacuated in early 2020. Upon finishing a three-month training, volunteers will collaborate with their host communities on locally prioritized projects in one of Peace Corps’ six sectors—agriculture, community economic development, education, environment, health or youth in development—and all will engage in COVID-19 response and recovery work.

Currently, the agency is recruiting volunteers to serve in 56 countries around the world at the request of host country governments, to connect through the Peace Corps grassroots approach across communities and cultures. Volunteers have already returned to a total of 47 countries around the world. The Peace Corps continues to monitor COVID-19 trends in all of its host countries and will send volunteers to serve as conditions permit. Americans interested in transformative service and lifelong connections should apply to Peace Corps service at www.peacecorps.gov/apply. Apply before April 1 to make a global connection by fall 2023.
 

Associate Professor of Anthropology and Music Maria Sonevytsky, in an essay for the Los Angeles Review of Books, reflects on how a Ukrainian phrase has transformed into a viral wartime slogan. “Good evening, we are from Ukraine,” a seemingly casual statement, has accumulated multiple meanings and layers throughout its evolution into an inclusive rallying cry for those who call the country home. “This phrase, which began as a musician’s offhand stage banter sampled into an EDM anthem, became a slogan invoked by Ukrainian politicians, soldiers, intellectuals, keyboard warriors, and their supporters around the globe,” she writes. For Sonevytsky, the brilliance of the statement is how its innocuous phrasing, at first glance a simple greeting, masks its inherent radicalism and defiance of the Russian’s state’s attempts to deny Ukraine’s existence. “The slogan works precisely because it does not traffic in the essentializing rhetoric of being Ukrainian,” she continues. “It is not for an individual declaring an identity: ‘I am Ukrainian.’ It is instead a collective, matter-of-fact statement: ‘We are from Ukraine.’ This also implies—and I still resent that this must be said, but here we are—that Ukraine exists, is a legitimate place, and contains people who claim it as home.”

Reflecting on his perilous days as a US military attache in Beirut, Ambassador Frederic C. Hof argues there is more to successful diplomacy than conferences. Much of the essential work of diplomacy, he writes, is collecting and reporting information, rather than in formal or high-profile negotiations, and a great deal of this work is carried out not by professional civilian diplomats but by military attaches serving under the direction of the ambassador. Frederic C. Hof is diplomat in residence at Bard and the author of Reaching for the Heights: The Inside Story of a Secret Attempt to Reach a Syrian-Israeli Peace.

Bard Associate Professor of Anthropology and Music Maria Sonevytsky has received a fellowship award from the National Endowment for the Humanities (NEH) in support of her book project, Singing for Lenin in Soviet Ukraine: Children, Music, and the Communist Future. NEH Fellowships support advanced research in the humanities by college and university teachers and independent scholars. Sonevytsky’s award supports her research and writing leading to a book about Soviet education and children’s musical practices in Soviet Ukraine, from 1934 to 1991.

Spectacles of musical childhood were widespread in Soviet life. Children’s groups performed at political events, factories, and international festivals. They were showcased on Soviet radio and television, and institutionalized in “Palaces of Pioneers.” Inculcating children into Soviet norms of citizenship, gender, and musicality was a vital project to ensure the longevity of the USSR, yet both children and music present unruly vectors through which to achieve the goals of norming. 

Singing for Lenin in Soviet Ukraine: Children, Music, and the Communist Future, follows the “imperial turn” in Soviet historiography to Soviet Ukraine, interpreting the dynamic arena of children’s musical practices through newly discovered archival materials and original interviews. The research reveals how Soviet Ukrainian children and their educators creatively recast the prerogatives of Soviet education, with its promise of a stateless Communist future. Paying attention to performance, embodiment, and sound, Sonevytsky aims to restore a fuller sensorium to the emerging understanding of how Soviet children and childhood appeared and were managed within the Soviet state, while observing how children and their teachers reacted to—and sometimes against—the ideological dimensions of Soviet musical education. 

“The Biden administration faces a real dilemma,” writes Professor Walter Russell Mead in the Wall Street Journal. “Feeling overstretched against Russian aggression in Ukraine and Chinese ambition in the Indo-Pacific, the White House wants to minimize its exposure to the Middle East. Yet the region is too important to ignore—and the more the U.S. withdraws, the more influence it sheds. As America becomes less relevant, regional actors feel free to make more decisions that Washington dislikes, effectively undermining U.S. influence around the globe.” Walter Russell Mead is the James Clarke Chace Professor of Foreign Affairs and the Humanities at Bard College.

Yuval Elmelech, an associate professor of sociology at Bard College and author of the book Wealth, spoke with Marketplace about the difficulty millennials face in buying a house, especially in cities such as San Francisco and New York where they are being priced out and even forced to relocate. For many who live there, parental wealth has made a big difference. “If parents can help their children buy a home, this means that these children will need to rely less on loans and mortgages,” he said. “Whereas other young couples, individuals who cannot rely on parental resources—and this is the majority of the population—will have to take out higher loans.”

ARTnews highlighted individuals and institutions that had a significant impact on public engagement with Indigenous art in 2022, including Bard College on the short list. In September, the College announced a transformational $25 million endowment gift from the Gochman Family Foundation to support a renamed American and Indigenous Studies Program. A matching commitment by the Open Society Foundations will create a $50 million endowment for Native American and Indigenous Studies in undergraduate and graduate academics and the arts in Annandale, to include a center for Indigenous Studies and the appointment of an Indigenous Curatorial Fellow at the Center for Curatorial Studies (CCS Bard).

Polling shows the British people and Americans are coalescing around the idea that Brexit and Trump were, respectively, mistakes for each country. When it comes to long-lasting impact, however, in Ian Buruma’s view, it’s no contest which is worse. “While Brexit and the election of Trump caused severe shocks to both Britain and the US, it looks like the damage of Brexit will be worse and last longer,” writes Buruma, Paul W. Williams Professor of Human Rights and Journalism, for Bloomberg. Poor leadership is, in the long run, easier to recover from than a disastrous referendum, he writes, as the latter “cannot be easily undone.” For the United States, “as long as [Trump] does not return for another term in 2024, much of the damage he did can probably be undone.” With Brexit, no matter the change in leadership, “most people in Britain will be worse off and the country will continue to lag behind its neighbors for the foreseeable future.”

Five Bard College students have been awarded highly competitive Benjamin A. Gilman International Scholarships by the U.S. Department of State. Gilman Scholars receive up to $5,000, or up to $8,000 if also a recipient of the Gilman Critical Need Language Award, to apply toward their study abroad or internship program costs. The recipients of this cycle’s Gilman scholarships are American undergraduate students attending 452 U.S. colleges and represent 50 U.S. states, the District of Columbia and Puerto Rico. These Gilman Scholars will study or intern in 81 countries through October 2023.
 
Written Arts major Havvah Keller ’24, from Montpelier, Vermont, has been awarded a $4,000 Gilman scholarship to study in Valparaíso, Chile, on CEA’s Spanish Language and Latin American Studies program at Pontificia Universidad Católica de Valparaíso, for spring 2023. “Receiving this scholarship means that I will be able to fulfill my dream of studying Spanish in total immersion, living with a local family in an art-filled, exuberant city, and studying Latin American and Chilean poetry and literature, as well as many other subjects such as Latin American history, Indigenous dances and arts of the Mapuche people, and making international friends of all backgrounds. I am eternally grateful to Gilman for helping me plant the seeds which will open many incredible doors for me in my life this spring, and beyond,” said Keller.
 
Philosophy and German Studies joint major Bella Bergen ’24, from Broomfield, Colorado, has been awarded a $5,000 Gilman-DAAD scholarship to study at Bard College Berlin for spring 2023. “The Gilman Scholarship allows me to pursue studying abroad in Berlin, Germany. I have never left the country despite a deep desire to do so, and the Gilman Scholarship helps me finally accomplish this goal. As a joint major in Philosophy and German Studies, my studies and language proficiency will both benefit greatly from my time in Germany. Ich freue mich auf Berlin,” said Bergen.
 
Art History and Visual Culture major Elsa Joiner ’24, from Dunwoody, Georgia, has been awarded a $5,000 Gilman-DAAD scholarship to study at Bard College Berlin for spring 2023. “The Gilman scholarship will enable me to study the subject of my dreams, sound art, in the city of my greatest fantasies, Berlin, Germany. With the scholarship, I plan to explore the role of sound in identity formation and develop my skills as a deep listener, eventually returning to America with the strongest ears in the world and, perhaps, the sharpest mind,” said Joiner.
 
Art History and Visual Culture and Film Studies joint major Sasha Alcocer ’24, from New York, New York, has been awarded a $5,000 Gilman-DAAD scholarship to study at Bard College Berlin for spring 2023. “As a first-generation American, I am incredibly honored and humbled by the support from the Gilman scholarship to pursue this unique opportunity to learn from and connect with like-minded international students and Berlin-based creatives. Having grown up in New York City, I’ve always been interested in artistic communities and cultural history, therefore Berlin could not be a better place to be immersed in for my studies abroad,” said Alcocer.
 
Asian Studies and GIS joint major Kelany De La Cruz ’24, from Bronx, New York, has been awarded a $5,000 Gilman scholarship, in addition to a $5,000 Fund for Education Abroad (FEA) scholarship and a $5,000 Freeman ASIA scholarship, to study in Taipei, Taiwan, on the CET Taiwan program for spring 2023. “To me these scholarships mean encouragement to follow my academic and professional dreams because I would not have been able to study abroad without them,” said De La Cruz.
 
Since the program’s establishment in 2001, over 1,350 U.S. institutions have sent more than 36,000 Gilman Scholars of diverse backgrounds to 155 countries around the globe. The program has successfully broadened U.S. participation in study abroad, while emphasizing countries and regions where fewer Americans traditionally study. 
 
As Secretary of State Anthony Blinken said, “People-to-people exchanges bring our world closer together and convey the best of America to the world, especially to its young people.”
 
The late Congressman Gilman, for whom the scholarship is named, served in the House of Representatives for 30 years and chaired the House Foreign Relations Committee. When honored with the Secretary of State’s Distinguished Service Medal in 2002, he said, “Living and learning in a vastly different environment of another nation not only exposes our students to alternate views but adds an enriching social and cultural experience. It also provides our students with the opportunity to return home with a deeper understanding of their place in the world, encouraging them to be a contributor, rather than a spectator in the international community.”
 
The Gilman Program is sponsored by the U.S. Department of State’s Bureau of Educational and Cultural Affairs (ECA) and is supported in its implementation by the Institute of International Education (IIE). To learn more, visit: gilmanscholarship.org

Pavlina Tcherneva, associate professor of economics at Bard College, research associate at Bard’s Levy Economics Institute, and director of the Open Society University Network's Economic Democracy Initiative, recently met with government officials in Bogotá, Colombia, to present her proposal for a national job guarantee program. At the invitation of Vice Minister of Finance Diego Guevara, Professor Tcherneva met with five government divisions: the ministries of energy, development, finance, and culture, and the SAE (Sociedad de Activos Especiales, or Special Assets Society), which administers seized assets of narcotics traffickers in the country.

“The job guarantee is an economic policy that provides public employment opportunities on demand to anyone seeking decent, living-wage work,” Tcherneva says. “It is a structural stabilization policy that alleviates the economic, social, and political costs of unemployment and precarious employment. It is equity-driven and draws on a long tradition of human rights and social justice.” Governments all over the world have implemented policies that provide some level of job guarantee, though none have a truly universal job guarantee program. One example in U.S. history is the Works Progress Administration. Part of President Franklin Roosevelt’s New Deal, the agency employed millions of Americans on a wide range of public works projects during the Great Depression.

Three Bard students have won prestigious Schwarzman Scholarships. Edris Tajik ’23, a student who is from Afghanistan studying at Bard College’s Annandale campus, Michael Nyakundi ’23, a student who is from Kenya studying at Bard College Berlin, and Evan Tims ’19, a Bard Annandale alumnus from Maine, have been selected to join the eighth class of Schwarzman Scholars, a fully-funded, one-year master’s degree and leadership program in Global Affairs at Tsinghua University in Beijing, China. Tajik, Tims, and Nyakundi are three of 151 scholars, from 36 countries and 121 universities, to be chosen out of almost 3,000 applicants. They are part of this year’s exceptional cohort, which comprises accomplished young leaders working at the forefronts of their industries, and will enroll in Schwarzman College at Tsinghua University in August 2023. 
 
Evan Tims (Bard College ’19) grew up in coastal Maine, where he developed an early interest in the relationship between narrative, social justice, and environmental change. He earned a joint BA in human rights and written arts, received the Bard Written Arts Prize and the Christopher Wise Award in environmentalism and human rights for his Senior Project, and is the founder and director of the In 100 Years Project, an organization focused on building environmental dialogue through creative workshops. Tims is particularly focused on the social challenges of water in the 21st century. As a 2021–22 Henry J. Luce Scholar, he lived in Nepal and conducted research in the hydropower sector while leading climate engagement projects.

Edris Tajik (Bard College ’23) came to Bard last year from Afghanistan and is currently a senior majoring in Political Science. He has spent the past four years of his life on peace-building and youth empowerment projects through NGOs in Afghanistan. Edris has trained 240 students in Model United Nations and 120 students on peace-building initiatives as well as implemented six community-based projects.  Edris is a Generation Change fellow at the United States Institute of Peace and is currently interning with the National Committee on American Foreign Policy. He intends to pursue a career in international relations. Edris has been named as a LeadNext Fellow at the Asia Foundation for the year 2023. He is one of ten students from Asia who has been selected to participate in this year's program.
 
Michael Nyakundi (Bard College Berlin ’23) is a Kenyan national studying economics, politics, and social thought who is interested in criminal justice reform through public policy and law. He previously interned at the Kenyan State House analyzing the impact of President Kenyatta’s Big4 agenda and has volunteered with the Kenya Red Cross and Plan International on youth-police arbitration projects. Recently, Michael led a team of 500+ to address police brutality in Soweto slums Nairobi. His project, Project Ma3, co-won the Margarita Kuchma project award this past summer. As a Schwarzman Scholar, Michael hopes to deepen his knowledge of Sino-Kenya relations.
 
Schwarzman Scholars (est. 2015) is designed to meet the challenges of the 21st century and beyond. It was inspired by the Rhodes Scholarship, which was founded in 1902 in an effort to promote international understanding and peace.
 
Schwarzman Scholars supports up to 200 Scholars annually from the U.S., China, and around the world for a one-year master’s in global affairs at Beijing’s Tsinghua University — ranked first in Asia as an indispensable base for China’s political, business, and technological leadership.
 
Scholars chosen for this highly selective program will live in Beijing for a year of study and cultural immersion — attending lectures, traveling around the region, and developing a better understanding of China.
 

This year, various media outlets are selecting works by Bard faculty members for their Best of 2022 lists. Some notable mentions include: 

Assistant Professor of Music Angelica Sanchez’s album Sparkle Beings is named one of the Best Jazz Albums of 2022 by the New York Times.

Professor of Literature Hua Hsu’s memoir Stay True is named one of the 10 Best Books of 2022 by the New York Times Book Review and The Best Books of 2022 by the New Yorker.

Professor of Comparative Literature Joseph Luzzi’s Botticelli’s Secret is named one of the Best Books of 2022 So Far in nonfiction by the New Yorker. 

James Clarke Chace Professor of Foreign Affairs and the Humanities Walter Russell Mead’s The Arc of a Covenant: The United States, Israel, and the Fate of the Jewish People is named among 100 Notable Books of 2022 by the New York Times Book Review. 

Bard Graduate Center's Threads of Power: Lace From the Textilmuseum St. Gallen featured in the New York Times Best Art Books of 2022.
 

On January 7, 2021, Venezuela’s Special Action Forces raided the La Vega neighborhood of Caracas, leaving 23 people dead in what the community calls the “La Vega massacre.” The special police unit has been accused of targeting working-class neighborhoods, criminalizing young men for where they live as it attempts to root out gang activity. As part of an ongoing project supported by the Pulitzer Center and a Getty Images Inclusion Grant, Bard alumna Lexi Parra ’18 gets to know the women of La Vega who are maintaining their community and pushing back against state and gang violence. 

Lexi Parra majored in human rights and photography at Bard College.

Further Reading

• As gang, police violence rages, a neighborhood tries to connect (Washington Post)
• Venezuelan-American Photographer Lexi Parra ’18 Named Recipient of a 2022 Getty Images Annual Inclusion Grant
• Bard College Student Wins Davis Projects for Peace Prize

“The DRE: Disturbance, Re-Animation, and Emergent Archives” Conference Features Keynote Speakers Elizabeth N. Ellis and Marisa J. Fuentes

Bard College will host its inaugural Rethinking Place: Bard-on-Mahicantuck conference from October 20 through 22. This conference, “The DRE: Disturbance, Re-Animation, and Emergent Archives,” considers the topic of archives from a range of humanistic perspectives, with keynotes showcasing methods in Native American and Indigenous Studies and African and African-American Studies, as well as offering the viewpoints of contemporary artists on these topics. The DRE is the first of three annual conferences supported by Rethinking Place: Bard-on-Mahicantuck, part of the Mellon Foundation’s Humanities for All Times initiative.

On Thursday, October 20 at 5 pm, multimedia Tsitsistas/Suhtai Nation (a.k.a. Northern Cheyenne) artist Bently Spang will open the conference with a screening and presentation in Weis Cinema, Bertelsmann Campus Center followed by an opening reception at the Center for Experimental Humanities in New Annandale House. On Friday, October 21, keynotes by award-winning scholars bracket a day of smaller sessions exploring and modeling ethical practices in the archive, open to students, faculty, and staff. Dr. Marisa J. Fuentes, Presidential Term Chair in African American History and Associate Professor of History and Women’s and Gender Studies at Rutgers University, will deliver a keynote lecture, “Buried ‘Without Care’: Social Death, Discarded Lives, and the Transatlantic Slave Trade” on Friday at 9:30 am in the László Z. Bitó ’60 Auditorium of the Gabrielle H. Reem and Herbert J. Kayden Center for Science and Computation (RKC). Dr. Elizabeth N. Ellis, Assistant Professor of History at Princeton University and citizen of the Peoria Tribe of Indians of Oklahoma, will deliver the second keynote lecture, “Recovering Indigenous Histories of Survival: Enduring Louisiana Nations” on Friday at 4 pm in Bitó Auditorium, RKC. Friday’s events, which include concurrent workshops, screenings, and presentations, also take place in RKC. On the morning of Saturday, October 22,recipients of Rethinking Place student research funding will present on their work.

On Saturday, October 22 at 2 pm, Oglála Lakȟóta scholar and multimedia artist Kite aka Suzanne Kite MFA ’18 will close the conference with a talk, “Makȟóčheowápi Akézaptaŋ (Fifteen Maps),” at the Fisher Center’s LUMA Theater. This event is free and open to the public. Reserve your seat here.

For the full conference schedule, click here. All events are open to Bard College students, faculty, and staff. To register click here. Keynote addresses and Bently Spang’s opening artist presentation are open to the public dependent on space. Non-Bard community members who are interested in attending, please email: [email protected].

Bard’s “Rethinking Place: Bard-on-Mahicantuck” project affirms Bard’s tangible commitments to the principles and ideals of the College’s 2020 land acknowledgment and is supported by the Mellon Foundation’s 2022 Humanities for All Times. The Mellon grant offers three years of support for developing a land acknowledgment–based curriculum, public-facing Native American and Indigenous Studies (NAIS) programming, and efforts to support the work of emerging NAIS scholars and tribally enrolled artists at Bard. Rethinking Place emphasizes broad community-based knowledge, collaboration, and collectives of inquiry and also attends to the importance of considering the Stockbridge-Munsee Band of Mohican Indians, upon whose homelands Bard sits.

For more information, please visit rethinkingplace.bard.edu.

On his weekly podcast Bookstack, Richard Aldous, Eugene Meyer Professor of British History and Culture, has discussed the demonization of women in power, right-wing narratives and their internet success, and American foreign policy. Speaking with authors like Eleanor Herman, Francesca Tripodi, and Michael Mandelbaum, Aldous engages writers in conversation around their new books. On the latest episode, Aldous spoke with Walter Russell Mead, James Clarke Chace Professor of Foreign Affairs and the Humanities, about the American-Israeli relationship, how America sees the world, and Mead’s new book, The Arc of a Covenant: The United States, Israel, and the Fate of the Jewish People.

As the world watches the Zaporizhzhia nuclear power plant suffer “weeks of shelling,” the potential for “another nuclear disaster on the scale of the Chernobyl explosion” looms large, writes Bard alum C Mandler ’19 for CBS news. The similarities between Chernobyl and Zaporizhzhia are as much organizational as they are structural, says Jonathan Becker, executive vice president and vice president for academic affairs for Bard College. Both share “an environment… in which people are disincentivized from communicating genuine problems to higher-ups,” Becker says, which could result in a “series of mistakes, which are reinforced by a system which doesn't encourage transparent communication.” A nuclear disaster in Ukraine would be catastrophic on “both human and geopolitical” levels, Becker says. Should a nuclear disaster occur, “it will be difficult to imagine the path forward after that,” he said.

 

For the New Lines Institute for Strategy and Policy, Bard Diplomat in Residence Frederic Hof writes about the complexities that the US government, currently the Biden administration, face in trying to negotiate the release of the American journalist Austin Tice, who was kidnapped in Damascus a decade ago and is still being held hostage by Syria’s Assad regime. Hof urges media commentators to “try harder to explain to their readers what exactly they think the president should do and the potential consequences – intended or not – of what they recommend.” Emphasizing the enormous difficulty of engaging in foreign policy with Syria, Hof asserts: “As we encourage our government to act diligently to secure the freedom of Austin Tice, let us at least remember the name of the person responsible for his captivity: Bashar al-Assad.”

Professor Drew Thompson curates an exhibition dedicated to Ben Wigfall, artist, printmaker, and SUNY New Paltz’s first Black professor of art. Benjamin Wigfall & Communications Village opens at the Samuel Dorsky Museum of Art at SUNY New Paltz on September 10. The exhibition surveys Wigfall's multimedia work over four decades, including pieces from the collections of the Virginia Museum of Fine Arts and Hampton University, as well as display prints, photographs, and other ephemera documenting Communications Village, the printmaking facility he founded in the 1970s that trained and employed local youth to assist distinguished, mostly Black printmakers. Communications Village played an essential role as an alternative space enabling artists of color to make and show their work, says Professor Thompson. “This was a subversive space, not recognized by the mainstream American art scene,” he says. The exhibition runs through December 10 at the Dorsky Museum and then travels to the Virginia Museum of Fine Arts. Drew Thompson is associate professor of Africana and historical studies at Bard College. He has been a member of the faculty since 2013. (Chronogram)

Professor of Political Studies Omar G. Encarnación’s essay explores how a nonpartisan movement to bring attention to the depopulation of Spain’s countryside is beginning to shape national politics. “Under the banner ‘The Revolt of Emptied Spain,’ protesters from twenty-four rural provinces complained of neglect from government agencies, poor Internet service, lack of access to transportation and healthcare, and indifference from Spanish multinationals and those who live in Spain’s thriving urban centers,” writes Encarnación. “Inspired by other successful demonstrations in the capital, such as those that led to the legalization of same-sex marriage in 2005, their signs invoked the rhetoric of social justice and human rights: ‘Equality for all,’ ‘My choice of lifestyle does not deprive me of my rights,’  and ‘I am a rural citizen, and I am in danger of extinction.’”

On HillTV's The Rising with Briahna Joy Gray and Robby Soave, Associate Professor of Economics Pavlina Tcherneva debates former Trump economic adviser Stephen Moore about whether the Inflation Reduction Act, which President Biden signed into law on August 16, will actually reduce inflation. Tcherneva says we are not going to see inflation go down overnight, however, she believes this bill steers us in the right direction. She emphasizes the significance of investments in green energy technologies in the United States while “including major components that are coveted by the conservatives,” such as “increasing energy production from the fossil fuel industry here in a very aggressive way.” She adds, “From the progressive point of view this was a Faustian bargain. We had to do some giveaways to the fossil fuel industry so that we could get this bill passed. But it does have some key components, some major investments in climate that we haven’t seen in decades.”

“In a country where spirits of the dead inspire reverence, anxiety, and fear, the matter of holding a state funeral for a former prime minister – post-War Japan’s longest-serving, and one of the most consequential – should not be controversial,” writes Sanjib Baruah, professor of political studies. For the Wire, Baruah navigates the “tricky legacy” of the late Shinzo Abe with respect to his “revisionist rewriting of Japan’s wartime history.” “In India, Abe will be long remembered for his role in bolstering the country’s relations with Japan,” Baruah writes. “But Abe’s push for a revisionist rewriting of Japan’s wartime history, which is a major factor in what makes his legacy controversial, runs the risk of implicating India.”