Division of Social Studies News by Date
April 2021
04-13-2021
“We’re facing an existential crisis in our lives, and loneliness often appears when people are hungry for meaning. When people talk about loneliness, they’re often actually talking about social isolation. But they’re not the same thing, and I think this is kind of a dangerous way to understand loneliness.” Speaking on NPR’s To the Best of Our Knowledge, Professor Hill drew on Hannah Arendt’s 1951 On the Origins of Totalitarianism to describe a form of “organized loneliness” that, today, we see “not in totalitarianism but in tyrannical thinking. We see it in the emergence of populism from the left and the right. And we see it in the Republican Party, which is comfortable rejecting the facts of science in the face of a deadly pandemic, and where the president of the United States is unable to accept the reality of electoral defeat.”
04-09-2021
Bard College announces the appointment of Sociologist Karen Barkey to the College faculty as Charles Theodore Kellogg and Bertie K. Hawver Kellogg Chair of Sociology and Religion for the five-year period 2021-2026, beginning fall 2021. Barkey’s research explores the fields of comparative, historical and political sociology and the sociology of religion. Her research areas span from the rise of the Ottoman and Habsburg empires to the end of these empires in the late 19th and 20th centuries, and nation building in their aftermath. She is the Haas Distinguished Chair of Religious Diversity at the Othering & Belonging Institute, the director of the Center for the Study of Democracy, Toleration, and Religion, the co-director of the Berkeley Center for the Study of Religion and professor of sociology at the University of California, Berkeley.
“We are honored to welcome distinguished scholar Karen Barkey to the Bard faculty as well as the Open Society University Network at a moment when renewed efforts to understand cooperation, coexistence, and inclusion as well as conflict across difference have become increasingly critical,” said Bard’s Dean of the College, Deirdre d’Albertis.
Karen Barkey has been engaged in the comparative and historical study of the state, with special focus on its transformation over time. She has focused on state society relations, peasant movements, banditry, opposition and dissent organized around the state. Her main empirical site has been the Ottoman Empire, in comparison with France, the Habsburg, and the Russian Empires. She also pays attention to the Roman and Byzantine worlds as important predecessors of the Ottomans.
Her work Empire of Difference (Cambridge UP, 2008) is a comparative study of the flexibility and longevity of imperial systems. In different chapters, the book explores the key organizational and state society related dynamics of imperial longevity. This book demonstrates that the flexible techniques by which the Ottomans maintained their legitimacy, the cooperation of their diverse elites both at the center and in the provinces, as well as the control over the economic and human resources were responsible for the longevity of this particular “negotiated empire.” In the process, it explores important issues such as diversity, the role of religion in politics, Islam and the state as well as the manner in which the Sunni-Shi’a divide operated during the tenure of the Ottoman Empire. Such topics are relevant to the contemporary setting and the conflicts we endure today.
Barkey is now pursing different projects on religion and toleration. She has written on the early centuries of Ottoman state toleration and is now exploring different ways of understanding how religious coexistence, toleration and sharing occurred in different historical sacred sites under Ottoman rule. She published an edited book, Choreography of Sacred Spaces: State, Religion and Conflict Resolution (with Elazar Barkan) (Columbia UP, 2014) that explores the history of shared religious spaces in the Balkans, Anatolia and Palestine/Israel, all three regions once under Ottoman rule. The book explores the politics and culture of conflict and cooperation over religious sites. It also provides the historical antecedents to help us understand the accommodation and contention around specific sites in the modern period, tracing comparatively areas and regime changes over time. In many places the long history of sharing sacred sites serves as an indicator of the possibilities for pluralism in the context of empire.
Barkey is one of the curators of the traveling Shared Sacred Sites exhibition. She has worked on the exhibition in the Macedonian Museum of Contemporary Art, the National Museum of Photography and the Yeni Cami in Thessaloniki (2017) and the New York exhibition at the NYPL, Morgan Library and Museum and CUNY Graduate Center (2018). She also runs a website on this topic which brings international participants and expertise on many shared sites around the world. She started this project to promote awareness and understanding of coexistence among religions. You can see more on the site: sharedsacredsites.net.
Barkey was awarded the Germaine Tillion Chair of Mediterranean Studies at IMéRA, for 2021-2022. IMéRA is the Institute for Advanced Study of Aix-Marseille University, and a member of the French Network of Institutes for Advanced Study. Barkey was born in Istanbul, Turkey. After she graduated from the Lycée Notre Dame de Sion, in Istanbul, she moved to the United States for her college education. She got her BA degree from Bryn Mawr College, an MA degree from The University of Washington, and a PhD from the University of Chicago.
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 161-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
“We are honored to welcome distinguished scholar Karen Barkey to the Bard faculty as well as the Open Society University Network at a moment when renewed efforts to understand cooperation, coexistence, and inclusion as well as conflict across difference have become increasingly critical,” said Bard’s Dean of the College, Deirdre d’Albertis.
Karen Barkey has been engaged in the comparative and historical study of the state, with special focus on its transformation over time. She has focused on state society relations, peasant movements, banditry, opposition and dissent organized around the state. Her main empirical site has been the Ottoman Empire, in comparison with France, the Habsburg, and the Russian Empires. She also pays attention to the Roman and Byzantine worlds as important predecessors of the Ottomans.
Her work Empire of Difference (Cambridge UP, 2008) is a comparative study of the flexibility and longevity of imperial systems. In different chapters, the book explores the key organizational and state society related dynamics of imperial longevity. This book demonstrates that the flexible techniques by which the Ottomans maintained their legitimacy, the cooperation of their diverse elites both at the center and in the provinces, as well as the control over the economic and human resources were responsible for the longevity of this particular “negotiated empire.” In the process, it explores important issues such as diversity, the role of religion in politics, Islam and the state as well as the manner in which the Sunni-Shi’a divide operated during the tenure of the Ottoman Empire. Such topics are relevant to the contemporary setting and the conflicts we endure today.
Barkey is now pursing different projects on religion and toleration. She has written on the early centuries of Ottoman state toleration and is now exploring different ways of understanding how religious coexistence, toleration and sharing occurred in different historical sacred sites under Ottoman rule. She published an edited book, Choreography of Sacred Spaces: State, Religion and Conflict Resolution (with Elazar Barkan) (Columbia UP, 2014) that explores the history of shared religious spaces in the Balkans, Anatolia and Palestine/Israel, all three regions once under Ottoman rule. The book explores the politics and culture of conflict and cooperation over religious sites. It also provides the historical antecedents to help us understand the accommodation and contention around specific sites in the modern period, tracing comparatively areas and regime changes over time. In many places the long history of sharing sacred sites serves as an indicator of the possibilities for pluralism in the context of empire.
Barkey is one of the curators of the traveling Shared Sacred Sites exhibition. She has worked on the exhibition in the Macedonian Museum of Contemporary Art, the National Museum of Photography and the Yeni Cami in Thessaloniki (2017) and the New York exhibition at the NYPL, Morgan Library and Museum and CUNY Graduate Center (2018). She also runs a website on this topic which brings international participants and expertise on many shared sites around the world. She started this project to promote awareness and understanding of coexistence among religions. You can see more on the site: sharedsacredsites.net.
Barkey was awarded the Germaine Tillion Chair of Mediterranean Studies at IMéRA, for 2021-2022. IMéRA is the Institute for Advanced Study of Aix-Marseille University, and a member of the French Network of Institutes for Advanced Study. Barkey was born in Istanbul, Turkey. After she graduated from the Lycée Notre Dame de Sion, in Istanbul, she moved to the United States for her college education. She got her BA degree from Bryn Mawr College, an MA degree from The University of Washington, and a PhD from the University of Chicago.
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 161-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
# # #
(4/09/21)04-06-2021
Nearly a third of the nurses who have died of coronavirus in the United States are Filipino, even though Filipino nurses make up just 4 percent of the nursing population nationwide. How did a single group of immigrants, Filipino Americans, end up becoming the most frontline of all frontline workers in the country’s fight against COVID-19? Bard alum Gabrielle Berbey ’15 and Tracie Hunte, cohosts of the WNYC podcast The Experiment, look for an answer in the stories of a “sisterhood” of Filipina nurses recruited to work at a Missouri hospital in the 1970s.
March 2021
03-29-2021
The OSUN Center for Human Rights and the Arts at Bard College has announced the launch of a pioneering master of arts program in human rights and the arts, and looks forward to welcoming the inaugural class in fall 2021. Designed by the Center’s core faculty team of Tania El Khoury, Thomas Keenan, Gideon Lester, and Ziad Abu-Rish, the interdisciplinary program will bring together scholars, artists, and activists from around the world to explore the productive and contentious relation between the arts and struggles for truth and justice. The program expands the curricular and extracurricular elements of the OSUN Center, directed by El Khoury.
The Center has set a May 1 priority application deadline and a June 15 final deadline. Ample need-based financial aid is available to cover tuition and other expenses. The following information sessions will be open to the public and prospective applicants (please register by emailing [email protected] with full name and intended session to receive a Zoom link).
The Center has set a May 1 priority application deadline and a June 15 final deadline. Ample need-based financial aid is available to cover tuition and other expenses. The following information sessions will be open to the public and prospective applicants (please register by emailing [email protected] with full name and intended session to receive a Zoom link).
- Tuesday, April 6, at 8:30am NYC Time (2:30pm Vienna / 6:30pm Dhaka)
- Wednesday, April 7, at 4:00pm NYC Time (10pm Vienna / 2:00am Dhaka)
- Monday, April 12, at 8:00am NYC Time (2:00pm Vienna / 6:00pm Dhaka)
- Friday, April 15, at 4:00pm NYC Time (10pm Vienna / 2:00am Dhaka)
03-29-2021
Ahead of elections in the northeastern Indian state of Assam, Scroll.in spoke with Sanjib Baruah, professor of political studies at Bard College and author of In the Name of the Nation: India and Its Northeast. Baruah discussed how the past animates Assam’s present and what new political imaginations can help unshackle these memory-driven regimes of belongingness for a more inclusive future.
03-19-2021
The Bard Globalization and International Affairs Program profiles Jahari Fraser, a Bard junior and Posse Scholar studying Global and International Studies and Spanish Studies. This semester, Jahari is studying at BGIA and interning at Project CETI, a nonprofit organization and 2020 TED Audacious Project Grant recipient that is applying advanced machine learning and non-invasive robotics to listen to and translate the communication of whales. Some of Jahari’s work will be aimed toward Project CETI’s launch in mid-April, including various research projects and contributing to CETI’s overall organizational development.
03-19-2021
“There are, of course, many criticisms that should be levelled at Churchill’s wartime policies,” writes Sean McMeekin, Francis Flournoy Professor of European History and Culture. “But there is one in particular that, in the rush to paint him as a racist imperialist, has avoided scrutiny: his relationship with Stalin. Churchill, in fact, sacrificed British imperial interests in order to save Soviet communism. Stalin could not have asked for a friendlier British government.”
03-17-2021
By Myra Young Armstead
Vice President for Academic Inclusive Excellence and Lyford Paterson Edwards and Helen Gray Edwards Professor of Historical Studies
We can find clues to the past in the built environment—as examples: a cul de sac, a plaza, a park, a neighborhood of turreted houses, the clustering of certain shops, monuments, and, importantly, the unnoticed, naturalized, familiar names of streets and buildings. These artifacts, constructions, and materialized symbols literally map who and what we value as members of society. This is true on the local level, too. McKenzie House on the south end of Bard’s campus just past the triangle on Annandale Road is so named in honor of Emerald Rose McKenzie ’52, one of the first African American women to graduate from the College. She majored in sociology as an undergraduate here and went on to a long, successful career as a social worker for the Jewish Guild for the Blind after receiving a master’s degree in that field from New York University. McKenzie’s singular presence at Bard in the 1950s prompts interrogations into the intersectionalities of her identity as a woman, a Black person, and a disabled/visually handicapped person in the immediate postwar period. What follows is just a start.
Emerald was born in Nassau, the Bahamas, on September 17, 1927, and shortly thereafter emigrated to the United States with her parents and siblings. By 1930, her working-class family lived in Brooklyn in a quadruplex building erected on Sutter Avenue in 1901 near the border of Brownsville and East New York. Her father worked as a clerk that year for a meatpacking company, supporting his wife and their four children, of which Emerald was the youngest at just two years of age. When he passed two years later, his death certificate listed him as a tailor. In some ways, the family’s circumstances seem to have improved since they were now living on Warwick Street—still in Brownsville but in a newer multifamily building constructed in 1930. In the 1930s, Brownsville was still a predominantly Russian Jewish area of Brooklyn, with a recent influx of Southern Black migrants and Caribbean immigrants representing roughly 6 percent of the total population by 1940. In that year, Emerald’s widowed mother, Alma, headed a household that consisted of the same four siblings as before with a younger nine-year-old brother now added to the mix. The Black population grew during Emerald’s childhood, so that by 1950 it had doubled and was concentrated in Brownsville’s least desirable housing. However, the New Deal’s National Youth Administration employment program allowed Emerald’s older sister Hermine to add to the family income as a teacher’s secretary in 1940. Another older sister, Dorit, worked as an “operator” in a dressmaking factory that same year. She probably was a sewing machine operator. Cynthia Dantzic, whose undergraduate years at Bard partially overlapped with Emerald’s, recalls that Hermine was a fine, highly skilled seamstress, too. Before the 1950s, the family moved to a private house with a large rear garden on Bainbridge Street, in the Bedford-Stuyvesant area of Brooklyn. This neighborhood in central Brooklyn, known for its beautiful brownstones, drew “large numbers of eastern European Jews, Italians, and later blacks from the South and the Caribbean” in the 1930s, although by Emerald’s teen years in the 1940s the area was becoming predominantly Black as others moved out.
Cynthia explained that Emerald was born with some visual impairment but that some later physical trauma, perhaps an athletic accident , left her completely sightless when she was 16. That would have been in 1948. However, the accident must have occurred earlier because according to Bard College admissions records, Emerald attended the New York Institute for the Education of the Blind (NYIEB) for four years and graduated in 1948. (In 1986 the NYIEB was renamed the New York Institute for Special Education, serving “children with visual impairments but also children with emotional/learning needs and preschool children with developmental disabilities.”)
Education was clearly a priority Emerald held for herself with the full support of her family. In the 1940s, there were two high schools for blind students in New York City—the NYIEB on Pelham Parkway in the Bronx, and the Lavelle School for the Blind on Paulding Avenue in the Bronx; the latter was Catholic but recognized in 1942 by the New York State Education Department, from which it began receiving funding. Both options for Emerald Rose required either a long daily commute from Brooklyn to the Bronx—a daunting undertaking for a sighted student, so much more so for a blind one—or residential status at the school. It is almost certain that Emerald Rose lived on the campus of the NYIEB from 1944 until her graduation in 1948.
McKenzie came to Bard College as a transfer student, having spent her first undergraduate year at Brooklyn College. In the fall of 1949 when she matriculated in Annandale as a sophomore, Brooklyn College was just 13 years old—a progressive educational project of the New Deal era designed as the country’s first coeducational, public liberal arts college and as “a stepping stone for the sons and daughters of immigrants and working-class people toward a better life through a superb—and at the time, free—college education.” The school was in Brooklyn, her home, and free, but one can only imagine the physical challenges she faced as a blind student at a large, urban school built for persons with full visual abilities.
Somehow, McKenzie learned about Bard. Like Brooklyn College, the College had recently (in 1944) become coeducational, and through a generous scholarship from the American Federation for the Blind her educational costs were completely covered. The coeducational aspect of Bard was a huge draw. In the fall of 1949, 121 women joined 149 men to make up the total student population. By way of contrast, Dantzic recalled that when she, another Brooklynite, graduated high school, she hoped to study art at Yale but was discouraged to learn that the Ivy did not accept women as undergraduates who were coming straight out of high school. (For that reason, Dantzic spent her first two college years at Bard with the intention of transferring to Yale, which she did for her B.F.A.) A second draw for McKenzie was the small size of the College (only 270 students when she entered), the quiet pace of things, and the individualized attention she could receive from her professors. Dantzic recalled the bucolic setting, McKenzie’s well-trained seeing-eye dog, Karen, and the kind of basic academic resources available to Emerald Rose—books in Braille; audiobooks on discs; a paid, personalized course book reader (Dantzic performed this service for McKenzie); and a Braille typewriter.
With this initial article, the Office of Diversity, Equity, and Inclusion is launching a longer historical project on Emerald Rose McKenzie, the state of higher education for the visually impaired nationally during her lifetime, where Bard stood in relation to national standards then, and where it stands now. We are still researching more precise details of McKenzie’s biography and invite students interested in participating in this project to contact me, Myra Armstead, at [email protected]. In conjunction with the Archives Working Group of the Council for Inclusive Excellence, we are also beginning to research the longer history of disability awareness at Bard and are pleased to have the cooperation of Finn Tait ’22 as president and founder of the Bard Disabled Students Union.
NOTES
1. U.S. Census, 1930; U.S. Census, 1940; Wendell Pritchett, Brownsville, Brooklyn: Blacks, Jews, and the Changing Face of the Ghetto (Chicago: University of Chicago Press, 2003), 84.
2. Cynthia Dantzic, Interview with Myra Young Armstead, March 8, 2021.
3. “A Brief History of NYISE,” nyise.org/apps/pages/index.jsp?uREC_ID=391515&type=d&pREC_ID=922947, accessed March 15, 2021.
4. “Brooklyn College: Our History,” brooklyn.cuny.edu/web/about/history/ourhistory.php, accessed March 15, 2021.
Vice President for Academic Inclusive Excellence and Lyford Paterson Edwards and Helen Gray Edwards Professor of Historical Studies
We can find clues to the past in the built environment—as examples: a cul de sac, a plaza, a park, a neighborhood of turreted houses, the clustering of certain shops, monuments, and, importantly, the unnoticed, naturalized, familiar names of streets and buildings. These artifacts, constructions, and materialized symbols literally map who and what we value as members of society. This is true on the local level, too. McKenzie House on the south end of Bard’s campus just past the triangle on Annandale Road is so named in honor of Emerald Rose McKenzie ’52, one of the first African American women to graduate from the College. She majored in sociology as an undergraduate here and went on to a long, successful career as a social worker for the Jewish Guild for the Blind after receiving a master’s degree in that field from New York University. McKenzie’s singular presence at Bard in the 1950s prompts interrogations into the intersectionalities of her identity as a woman, a Black person, and a disabled/visually handicapped person in the immediate postwar period. What follows is just a start.
Emerald was born in Nassau, the Bahamas, on September 17, 1927, and shortly thereafter emigrated to the United States with her parents and siblings. By 1930, her working-class family lived in Brooklyn in a quadruplex building erected on Sutter Avenue in 1901 near the border of Brownsville and East New York. Her father worked as a clerk that year for a meatpacking company, supporting his wife and their four children, of which Emerald was the youngest at just two years of age. When he passed two years later, his death certificate listed him as a tailor. In some ways, the family’s circumstances seem to have improved since they were now living on Warwick Street—still in Brownsville but in a newer multifamily building constructed in 1930. In the 1930s, Brownsville was still a predominantly Russian Jewish area of Brooklyn, with a recent influx of Southern Black migrants and Caribbean immigrants representing roughly 6 percent of the total population by 1940. In that year, Emerald’s widowed mother, Alma, headed a household that consisted of the same four siblings as before with a younger nine-year-old brother now added to the mix. The Black population grew during Emerald’s childhood, so that by 1950 it had doubled and was concentrated in Brownsville’s least desirable housing. However, the New Deal’s National Youth Administration employment program allowed Emerald’s older sister Hermine to add to the family income as a teacher’s secretary in 1940. Another older sister, Dorit, worked as an “operator” in a dressmaking factory that same year. She probably was a sewing machine operator. Cynthia Dantzic, whose undergraduate years at Bard partially overlapped with Emerald’s, recalls that Hermine was a fine, highly skilled seamstress, too. Before the 1950s, the family moved to a private house with a large rear garden on Bainbridge Street, in the Bedford-Stuyvesant area of Brooklyn. This neighborhood in central Brooklyn, known for its beautiful brownstones, drew “large numbers of eastern European Jews, Italians, and later blacks from the South and the Caribbean” in the 1930s, although by Emerald’s teen years in the 1940s the area was becoming predominantly Black as others moved out.
Cynthia explained that Emerald was born with some visual impairment but that some later physical trauma, perhaps an athletic accident , left her completely sightless when she was 16. That would have been in 1948. However, the accident must have occurred earlier because according to Bard College admissions records, Emerald attended the New York Institute for the Education of the Blind (NYIEB) for four years and graduated in 1948. (In 1986 the NYIEB was renamed the New York Institute for Special Education, serving “children with visual impairments but also children with emotional/learning needs and preschool children with developmental disabilities.”)
Education was clearly a priority Emerald held for herself with the full support of her family. In the 1940s, there were two high schools for blind students in New York City—the NYIEB on Pelham Parkway in the Bronx, and the Lavelle School for the Blind on Paulding Avenue in the Bronx; the latter was Catholic but recognized in 1942 by the New York State Education Department, from which it began receiving funding. Both options for Emerald Rose required either a long daily commute from Brooklyn to the Bronx—a daunting undertaking for a sighted student, so much more so for a blind one—or residential status at the school. It is almost certain that Emerald Rose lived on the campus of the NYIEB from 1944 until her graduation in 1948.
McKenzie came to Bard College as a transfer student, having spent her first undergraduate year at Brooklyn College. In the fall of 1949 when she matriculated in Annandale as a sophomore, Brooklyn College was just 13 years old—a progressive educational project of the New Deal era designed as the country’s first coeducational, public liberal arts college and as “a stepping stone for the sons and daughters of immigrants and working-class people toward a better life through a superb—and at the time, free—college education.” The school was in Brooklyn, her home, and free, but one can only imagine the physical challenges she faced as a blind student at a large, urban school built for persons with full visual abilities.
Somehow, McKenzie learned about Bard. Like Brooklyn College, the College had recently (in 1944) become coeducational, and through a generous scholarship from the American Federation for the Blind her educational costs were completely covered. The coeducational aspect of Bard was a huge draw. In the fall of 1949, 121 women joined 149 men to make up the total student population. By way of contrast, Dantzic recalled that when she, another Brooklynite, graduated high school, she hoped to study art at Yale but was discouraged to learn that the Ivy did not accept women as undergraduates who were coming straight out of high school. (For that reason, Dantzic spent her first two college years at Bard with the intention of transferring to Yale, which she did for her B.F.A.) A second draw for McKenzie was the small size of the College (only 270 students when she entered), the quiet pace of things, and the individualized attention she could receive from her professors. Dantzic recalled the bucolic setting, McKenzie’s well-trained seeing-eye dog, Karen, and the kind of basic academic resources available to Emerald Rose—books in Braille; audiobooks on discs; a paid, personalized course book reader (Dantzic performed this service for McKenzie); and a Braille typewriter.
With this initial article, the Office of Diversity, Equity, and Inclusion is launching a longer historical project on Emerald Rose McKenzie, the state of higher education for the visually impaired nationally during her lifetime, where Bard stood in relation to national standards then, and where it stands now. We are still researching more precise details of McKenzie’s biography and invite students interested in participating in this project to contact me, Myra Armstead, at [email protected]. In conjunction with the Archives Working Group of the Council for Inclusive Excellence, we are also beginning to research the longer history of disability awareness at Bard and are pleased to have the cooperation of Finn Tait ’22 as president and founder of the Bard Disabled Students Union.
NOTES
1. U.S. Census, 1930; U.S. Census, 1940; Wendell Pritchett, Brownsville, Brooklyn: Blacks, Jews, and the Changing Face of the Ghetto (Chicago: University of Chicago Press, 2003), 84.
2. Cynthia Dantzic, Interview with Myra Young Armstead, March 8, 2021.
3. “A Brief History of NYISE,” nyise.org/apps/pages/index.jsp?uREC_ID=391515&type=d&pREC_ID=922947, accessed March 15, 2021.
4. “Brooklyn College: Our History,” brooklyn.cuny.edu/web/about/history/ourhistory.php, accessed March 15, 2021.
03-03-2021
“How can we possibly hope to address mass unemployment without economic growth? Fortunately, there’s a straightforward solution. We can fix the problem directly without needing additional growth by introducing a progressive, public job guarantee program, as proposed by economists like Stephanie Kelton, Pavlina Tcherneva, and a growing chorus of others,” writes Jason Hickel. “The idea is that anyone who signs up can train to do dignified, socially useful work (the opposite of ‘bullshit jobs’) and be paid at a living wage.”
03-02-2021
“If skeptics underestimate the effect the climate movement will have on the world’s economy, greens are in danger of overestimating how much their efforts will help the polar bears,” writes Mead, James Clarke Chace Professor of Foreign Affairs and the Humanities at Bard College, in the Wall Street Journal. “Paradoxically, as climate change assumes a more prominent place on the international agenda, climate activists will lose influence over climate policy.”
February 2021
02-26-2021
Tayler Butler ’17 is a Bard alumna, a Posse Scholar, and a future lawyer. As a Bard student, she worked as a tutor for incarcerated students in the Bard Prison Initiative. The experience inspired her to continue work in the field. Now she's pursuing her law degree at Cornell.
02-19-2021
The Henry Luce Foundation announced today that Evan Tims ’19 has been named a 2021–22 Luce Scholar. The Luce Scholars Program is a nationally competitive fellowship program launched by the Henry Luce Foundation in 1974 to enhance the understanding of Asia among potential leaders in American society. Tims is one of 18 finalists (chosen from among 164 semifinalists from over 70 participating colleges and universities) selected for the new class of Luce Scholars. After working with Luce in the coming months to choose the organization and country in Asia where he will be placed, he plans to explore the field of climate justice, relationships between nature and culture, and the future-oriented practices of social change, as well as write stories and novels that explore the changing global environment.
“My focus is on finding ways to address the climate crisis through interdisciplinary and intersectional leadership. Despite the unique challenges of COVID-19 this year, I believe that global connectivity and understanding are more critical than ever.” said Tims. “I’m grateful to Luce for the opportunity to follow my curiosity and passion in a completely new sociocultural and geographic context. Given the necessity for international collaboration in combating the climate crisis, Luce provides a critical avenue for developing global connection and understanding.”
Evan Tims ’19 is a police misconduct investigator, climate fiction writer, and researcher. Growing up in coastal Maine, he developed an early interest in the relationship between narrative, social justice, and environmental change. At Bard, Tims received a joint BA degree in human rights and written arts, two fields that allowed him to explore formulations of rights and cultural attentiveness to injustice through a variety of lenses. While at Bard, Evan won two Critical Language Scholarships that funded Bangla studies in Kolkata, India. Tims’s Senior Project explored the intersections between climate and social justice using a combination of experimental fiction and academic research. He received the Bard Written Arts Prize and the Christopher Wise Award in environmentalism and human rights for his thesis, which he later published in shortened form in Mapping Meaning: The Journal. His passion for human rights led him to become an investigator for the Civilian Complaint Review Board of New York City (CCRB), the largest police oversight agency in the United States. Tims ultimately hopes to spend his career addressing the social harm engendered by the climate crisis through the perspective of human rights.
About the Luce Scholars Program
The Luce Scholars Program provides stipends, language training, and individualized professional placement in Asia for 15-18 Luce Scholars each year, and welcomes applications from college seniors, graduate students, and young professionals in a variety of fields who have had limited exposure to Asia. The program, open to both U.S. citizens and permanent residents, is unique among American-Asian exchanges in that it is intended for young leaders who have had limited experience of Asia and who might not otherwise have an opportunity in the normal course of their careers to come to know Asia. For more information, visit hluce.org/programs/luce-scholars. Bard students interested in applying to the Luce Scholars Program should contact the Dean of Studies Office at [email protected].
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 161-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
“My focus is on finding ways to address the climate crisis through interdisciplinary and intersectional leadership. Despite the unique challenges of COVID-19 this year, I believe that global connectivity and understanding are more critical than ever.” said Tims. “I’m grateful to Luce for the opportunity to follow my curiosity and passion in a completely new sociocultural and geographic context. Given the necessity for international collaboration in combating the climate crisis, Luce provides a critical avenue for developing global connection and understanding.”
Evan Tims ’19 is a police misconduct investigator, climate fiction writer, and researcher. Growing up in coastal Maine, he developed an early interest in the relationship between narrative, social justice, and environmental change. At Bard, Tims received a joint BA degree in human rights and written arts, two fields that allowed him to explore formulations of rights and cultural attentiveness to injustice through a variety of lenses. While at Bard, Evan won two Critical Language Scholarships that funded Bangla studies in Kolkata, India. Tims’s Senior Project explored the intersections between climate and social justice using a combination of experimental fiction and academic research. He received the Bard Written Arts Prize and the Christopher Wise Award in environmentalism and human rights for his thesis, which he later published in shortened form in Mapping Meaning: The Journal. His passion for human rights led him to become an investigator for the Civilian Complaint Review Board of New York City (CCRB), the largest police oversight agency in the United States. Tims ultimately hopes to spend his career addressing the social harm engendered by the climate crisis through the perspective of human rights.
About the Luce Scholars Program
The Luce Scholars Program provides stipends, language training, and individualized professional placement in Asia for 15-18 Luce Scholars each year, and welcomes applications from college seniors, graduate students, and young professionals in a variety of fields who have had limited exposure to Asia. The program, open to both U.S. citizens and permanent residents, is unique among American-Asian exchanges in that it is intended for young leaders who have had limited experience of Asia and who might not otherwise have an opportunity in the normal course of their careers to come to know Asia. For more information, visit hluce.org/programs/luce-scholars. Bard students interested in applying to the Luce Scholars Program should contact the Dean of Studies Office at [email protected].
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 161-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
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(2/19/21)02-18-2021
“A well-regarded research center like OII gets immediate big headlines whenever it produces new research, but the authors have made far more of these findings than they can reasonably claim,” writes Briant, visiting research associate in human rights. “Misleading reporting about such weak findings risks undermining public confidence in research and new policies on disinformation, making it more urgent than ever that we get the difficult research that’s needed done.”
02-17-2021
Bard College is pleased to announce the appointment of Kobena Mercer as the Charles P. Stevenson Chair in Art History and the Humanities, a joint appointment between the Art History and Visual Culture Program in the undergraduate College, and the Center for Curatorial Studies (CCS). Mercer, who comes to Bard from Yale University, will assume his faculty position in fall 2021.
“We are delighted that Kobena Mercer has chosen to accept the Stevenson professorship,” said Bard College President Leon Botstein. “It is an honor to have as distinguished a scholar and teacher as Professor Mercer, whose wide-ranging work spanning the arts and humanities feels crucial to Bard’s mission, as a member of our undergraduate and graduate faculties.”
“I am honored beyond words to be coming to Bard, which is renowned worldwide for its interdisciplinary excellence,” said Mercer. “Not only have I found the best home for my scholarship, which cuts across Art History, Black Studies, and Cultural Studies, but I am also looking forward to collaborating with Bard’s innovative arts and humanities programs to further grow a liberal arts education that is critically responsive to the urgent questions we face today.”
“Mercer joining the faculty of the Center for Curatorial Studies, Bard College, is momentous for the graduate program. His luminary scholarship has fundamentally shaped our fields of focus and his writing is already essential to our curriculum,” said Lauren Cornell, director of the graduate program at CCS Bard. “He is one of the leading figures of Cultural Studies, Art History, and Black Studies, and it is an enormous privilege that his perspective will be available firsthand to CCS graduate students.”
Kobena Mercer teaches modern and contemporary art in the Black Atlantic, examining African American, Caribbean and Black British artists with critical methods from cultural studies. His work has significantly transformed current thinking about art and identity. Welcome to the Jungle: New Positions in Black Cultural Studies (1994), his first book, was a groundbreaking contribution to multiple fields, bringing a Black British perspective to wide-ranging cultural forms that arose from the volatile transformations of the 1980s. This collection of essays was followed by influential studies on artists including Romare Bearden, Keith Piper, Isaac Julien, and James VanDerZee. Throughout his career, Mercer’s research has illuminated the art of our time through evolving frameworks and subjects. His recent essay collection, Travel & See: Black Diaspora Art Practices since the 1980s (2016), examined artists such as John Akomfrah, Renée Green, and Kerry James Marshall, showing how Black artists contributed to art’s transformation in an age of globalization. He edited and introduced Stuart Hall’s The Fateful Triangle: Race, Ethnicity, Nation (2017), and prior to that he conceived and edited the Annotating Art’s Histories series, published by MIT, whose titles are Cosmopolitan Modernisms (2005), Discrepant Abstraction (2006), Pop Art and Vernacular Culture (2007) and Exiles, Diasporas & Strangers (2008). Over the last few years his exhibition catalogue contributions include Wilfredo Lam at Centre Pompidou, Frank Bowling at Haus der Kunst, Adrian Piper at Museum of Modern Art, New York, and Theaster Gates at Tate Liverpool. His forthcoming book is Alain Locke and the Visual Arts, published by Yale University Press in 2022.
A prolific and dedicated teacher, Mercer has taught at Yale University, New York University, University of California Santa Cruz and Goldsmiths College, University of London, where he earned his PhD. Educated in Ghana and England, he is an inaugural recipient of the Clark Prize for Excellence in Arts Writing, awarded by the Sterling and Francine Clark Art Institute in 2006.
“We are delighted that Kobena Mercer has chosen to accept the Stevenson professorship,” said Bard College President Leon Botstein. “It is an honor to have as distinguished a scholar and teacher as Professor Mercer, whose wide-ranging work spanning the arts and humanities feels crucial to Bard’s mission, as a member of our undergraduate and graduate faculties.”
“I am honored beyond words to be coming to Bard, which is renowned worldwide for its interdisciplinary excellence,” said Mercer. “Not only have I found the best home for my scholarship, which cuts across Art History, Black Studies, and Cultural Studies, but I am also looking forward to collaborating with Bard’s innovative arts and humanities programs to further grow a liberal arts education that is critically responsive to the urgent questions we face today.”
“Mercer joining the faculty of the Center for Curatorial Studies, Bard College, is momentous for the graduate program. His luminary scholarship has fundamentally shaped our fields of focus and his writing is already essential to our curriculum,” said Lauren Cornell, director of the graduate program at CCS Bard. “He is one of the leading figures of Cultural Studies, Art History, and Black Studies, and it is an enormous privilege that his perspective will be available firsthand to CCS graduate students.”
Kobena Mercer teaches modern and contemporary art in the Black Atlantic, examining African American, Caribbean and Black British artists with critical methods from cultural studies. His work has significantly transformed current thinking about art and identity. Welcome to the Jungle: New Positions in Black Cultural Studies (1994), his first book, was a groundbreaking contribution to multiple fields, bringing a Black British perspective to wide-ranging cultural forms that arose from the volatile transformations of the 1980s. This collection of essays was followed by influential studies on artists including Romare Bearden, Keith Piper, Isaac Julien, and James VanDerZee. Throughout his career, Mercer’s research has illuminated the art of our time through evolving frameworks and subjects. His recent essay collection, Travel & See: Black Diaspora Art Practices since the 1980s (2016), examined artists such as John Akomfrah, Renée Green, and Kerry James Marshall, showing how Black artists contributed to art’s transformation in an age of globalization. He edited and introduced Stuart Hall’s The Fateful Triangle: Race, Ethnicity, Nation (2017), and prior to that he conceived and edited the Annotating Art’s Histories series, published by MIT, whose titles are Cosmopolitan Modernisms (2005), Discrepant Abstraction (2006), Pop Art and Vernacular Culture (2007) and Exiles, Diasporas & Strangers (2008). Over the last few years his exhibition catalogue contributions include Wilfredo Lam at Centre Pompidou, Frank Bowling at Haus der Kunst, Adrian Piper at Museum of Modern Art, New York, and Theaster Gates at Tate Liverpool. His forthcoming book is Alain Locke and the Visual Arts, published by Yale University Press in 2022.
A prolific and dedicated teacher, Mercer has taught at Yale University, New York University, University of California Santa Cruz and Goldsmiths College, University of London, where he earned his PhD. Educated in Ghana and England, he is an inaugural recipient of the Clark Prize for Excellence in Arts Writing, awarded by the Sterling and Francine Clark Art Institute in 2006.
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2/17/2102-09-2021
As Yeva Nersisyan and Wray “have pointed out, the US government is engaged in relief, not stimulus, spending. It is offering much-needed assistance to the devastated balance sheets of households, school districts and local governments. Rescuing public services, making sure people don’t starve and building Covid-testing systems is not an economic stimulus but a necessary antidepressant. Reducing the size of the relief package would prolong the recession, which, given the virus’s capacity to surprise, may last longer than the experts predict.”
02-01-2021
The British-born artist Leonora Carrington (1917–2011) is one of the more fascinating figures to emerge from the Surrealist movement. The magical themes of Carrington’s otherworldly paintings are well-known, but the recent discovery of a suite of tarot designs she created for the Major Arcana was a revelation for scholars and fans of Carrington alike. Susan Aberth, Edith C. Blum Professor of Art History and Visual Culture at Bard College, and curator Tere Arcq examine their new discovery in The Tarot of Leonora Carrington (Fulgur Press, 2020).
“Once we saw the tarot, we immediately knew that this was very important to the iconography,” says Professor Aberth. “For many years, people thought her work was playful, a bit like fairy tales. But it’s a very serious study of esoteric principles—primary among them the tarot.”
“Once we saw the tarot, we immediately knew that this was very important to the iconography,” says Professor Aberth. “For many years, people thought her work was playful, a bit like fairy tales. But it’s a very serious study of esoteric principles—primary among them the tarot.”
02-01-2021
“March 2021 will mark the tenth anniversary of Bashar al-Assad’s decision to wage war on peaceful protestors rather than pursue peace with Israel via a very promising and productive American mediation,” writes Frederic Hof. “Assad’s decision would produce refugee flows that would ultimately change the politics of Europe in ways that delighted the Kremlin. It would also lead to the destruction of the Syrian state. And it would produce American policy responses that would only deepen the crisis while compromising the credibility of the United States, both inside Syria and far beyond. Now a new administration must grapple with this problem from hell. What is to be done?”
January 2021
01-27-2021
Two members of the Bard College faculty have been awarded the National Endowment of the Humanities Fellowships Award (up to $60,000) to support their scholarly humanities book projects: Richard H. Davis, professor of religion, for his book project, Religious Cultures of Early India, up to 700 CE, which describes the development of religious cultures in India, from the earliest evidence to 700 CE, including the interrelated traditions that became Hinduism, Buddhism, and Jainism, and Laura Kunreuther, associate professor of anthropology, to support research and writing for her book project, Interpreting the Field, Translating Global Voices: On the Labor of Interpreters in U.N. Field Missions, which studies how U.N. mission interpreters translate trauma across different languages and how such translation affects the interpreters themselves.
01-27-2021
Bard faculty members Omar Encarnación and Masha Gessen spoke as part of PEN America’s Town Hall on “Reckoning and Reconciliation in Biden’s America," held as the centerpiece of the organization’s virtual annual general meeting on January 26, 2021. Encarnación and Gessen joined PEN America President Ayad Akhtar, historian Jill Lepore, and columnists Charles Blow and Peggy Noonan for this timely and wide-ranging discussion moderated by PEN America CEO Suzanne Nossel. Omar G. Encarnación is professor of political studies at Bard. Masha Gessen is distinguished writer in residence at the College.
01-26-2021
Bard College announces the appointment of Jomaira Salas Pujols to its Sociology Program faculty. Pujols, a doctoral candidate in the department of sociology at Rutgers University, uses qualitative methods to study race, place, education, and Black girlhood. She will teach courses on the sociology of race and ethnicity; the sociology of youth; and race, space, and place starting in the fall 2021.
“Jomaira Salas Pujols's doctoral thesis, Black Girls’ Journeying: Identifying and Challenging (In)justice through Movement, is interdisciplinary and path-breaking. Interfacing with history, anthropology, and Africana Studies, as well as sociology, her scholarship engages deeply with public-facing projects and civic engagement,” said Deirdre d’Albertis, Bard’s Dean of the College. “As a proud alumna of Bryn Mawr College, Professor Salas Pujols will bring her intellectual commitments and experience to Annandale with real understanding of the Bard's distinctive mission.”
“I am thrilled to be joining the Bard College community this fall,” said Pujols. “I first encountered sociology as an undergraduate, and it offered me a window for making sense of the world around me. In my courses, I plan to work together with students to think about society's most pressing problems and our shared responsibility to solve them. Knowing Bard students, I can't think of a better place to take on this work!”
Pujols’s dissertation examines the consequences of movement on Black girls' perceptions of self, their identities, and their worlds—a concept she defines as journeying. Jomaira is also a youth worker, community-based facilitator, and founding member of the Black Latinas Know Collective. Her research has been funded by the National Science Foundation and published by the Youth & Society journal.
The Bard Sociology Program provides students with an understanding of the structures and processes of human society—from everyday interactions with friends, coworkers, and family members to macro-level processes of global magnitude. The sociology curriculum offers a theoretical and methodological foundation for examining social, cultural, and political forces and analyzing how they shape people’s behavior, interpretations, social status, and well-being. Through exposure to a wide array of quantitative, qualitative, and historical research, sociology students learn to study the social world in a way that is both rigorous and flexible. For more information, visit sociology.bard.edu.
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 160-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
“Jomaira Salas Pujols's doctoral thesis, Black Girls’ Journeying: Identifying and Challenging (In)justice through Movement, is interdisciplinary and path-breaking. Interfacing with history, anthropology, and Africana Studies, as well as sociology, her scholarship engages deeply with public-facing projects and civic engagement,” said Deirdre d’Albertis, Bard’s Dean of the College. “As a proud alumna of Bryn Mawr College, Professor Salas Pujols will bring her intellectual commitments and experience to Annandale with real understanding of the Bard's distinctive mission.”
“I am thrilled to be joining the Bard College community this fall,” said Pujols. “I first encountered sociology as an undergraduate, and it offered me a window for making sense of the world around me. In my courses, I plan to work together with students to think about society's most pressing problems and our shared responsibility to solve them. Knowing Bard students, I can't think of a better place to take on this work!”
Pujols’s dissertation examines the consequences of movement on Black girls' perceptions of self, their identities, and their worlds—a concept she defines as journeying. Jomaira is also a youth worker, community-based facilitator, and founding member of the Black Latinas Know Collective. Her research has been funded by the National Science Foundation and published by the Youth & Society journal.
The Bard Sociology Program provides students with an understanding of the structures and processes of human society—from everyday interactions with friends, coworkers, and family members to macro-level processes of global magnitude. The sociology curriculum offers a theoretical and methodological foundation for examining social, cultural, and political forces and analyzing how they shape people’s behavior, interpretations, social status, and well-being. Through exposure to a wide array of quantitative, qualitative, and historical research, sociology students learn to study the social world in a way that is both rigorous and flexible. For more information, visit sociology.bard.edu.
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 160-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
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1/26/2101-24-2021
Buzzfeed features the work of students in HR 321, Advocacy Video, in which Bard undergraduates worked together with students in the clemency clinic at CUNY Law School and the human rights organization WITNESS to create short video self-presentations by applicants for clemency. Buzzfeed reporter Melissa Segura highlights the video narrative of Rodney Chandler, incarcerated at Cayuga Correctional Facility, and also interviews David Sell, with whom the class worked last year on two videos from Wende Correctional Facility. Advocacy Video is an Engaged Liberal Arts and Sciences class cotaught by Thomas Keenan, professor of comparative literature and director of the Human Rights Program, and Brent Green, visiting artist in residence. This is a Human Rights course crosslisted with Film and Electronic Arts. The four videos produced by students in fall 2020 are available on the Human Rights Program website.
01-15-2021
“The narrative of a stolen election has a racial subtext that has long roots in American history,” writes Professor of Political Studies Sanjib Baruah. “If Trump’s 2016 election victory was partly the result of a racial backlash against the Obama presidency, Biden’s public embrace of diversity and inclusion is sure to reinforce white resentment and disaffection.”